A very small theatre. A very large battered cardboard box. A tiny feather periscope observes the audience.

Chris Dingli shares an hour of telling us the worst sins he's committed in his short life as a father.

A variety comedy show whose theme is the above and where the ever-revolving set of comedians let loose with their sexual stories.

An admirable cause for comedy – 70% of donations from this free show go to Médecins Sans Frontières with a new line up every weekend.

A play with huge jeopardy that suffered from little rehearsal time and a short running time.

I have always admired children's performers for their enormous physicality. Twig the Pixie is less physical than, say, Into The Water but has the storytelling and stand up talent to carry a ferociously loud audience.

Newcomer Luke Nowell's absurdist routine took a worrying amount of time to get started. But when he did, the show exploded into life.

Helena, played by Elise Heaven, chronicles her time with her demon feline, Linda, in an altogether mild show.

A perfectly crafted and emotionally charged show about one man's experience of homophobia that presents a profound reflection on the development of our society's attitudes towards gay people.

A wonderfully gripping spy thriller which explores the themes of love, loyalty, class and politics.

A creative and experimental blend of puppetry, physical theatre and animation that tells the story of a grief-stricken man, his relationship with his neglected child, and his attempt to rebuild his lost wife.

An extremely powerful performance, which expertly handles the subject of death and dying.