Tom Inniss Voice Team Gold

12-year-old Testimony Olumoroti tells us about the process of creating a magazine, and some of the challenges they faced. 

12-year-old Affiyah Fayyaz tells us about the process of creating a magazine, their hopes for the future, and shares a simple message that we are all "amazing, unique, and beautiful, and there is nothing wrong with that".

14-year-old Kiswa Akhtar speaks to the power of open dialogue around racism, the process of creating a magazine, and her aspirations for the future. 

The team we needed, but not the team we deserved. 

We speak to Lise Bell, former Exec Director at the Gate Theatre in Notting Hill, and visual artist Than Hussein Clark about the new spaces and wraparound support they are making available to artists as we look towards a post-recovery creative sector. 

We speak to Simon Paris, Artistic Director of interactive theatre company Say It Again, Sorry?, about their audience-centric approach to theatre, their plans for 2021, and the challenges faced as we come out of lockdown. 

Calling for policy changes in climate finance, crisis management and sustainable resource management

2020 was a year of loss, grief, and radical, uninvited change. Caldonia's new dance on screen, Holding Onto Ourselves, immortalises those emotions, and invites the audience to reflect on how they felt in April 2020 and what's changed a year later. 

The award-winning Australian comedian is performing 21 dates across the UK                

We speak to science communicator Hannah Hobson to dig into the myths and realities of animal testing, and to get insight into how the Covid-19 vaccine is both safe to take and crucial for ending the pandemic.

Commercial spaceflight industry professional Kellie Gerardi talks about her experiences conducting microgravity research, her hopes for a democratised space and her book, Not Necessarily Rocket Science: a Beginner’s Guide to Life in the Space Age.

Who will win in the race to construct a gingerbread house? We follow Jonah and Evelynn as they compete to create, while inviting the viewer to reflect on an exceptionally strange year.