On a sunny Manchester evening, over 200 people gathered into the Bridgewater Hall car park to celebrate the ending of 18 amazing days of the Manchester International Festival 2017.

Lost Memories Dot Net takes us back to the early 2000s to show us how far the internet has come.

Hans Ulrich Obrist talks to True Faith curator Matthew Higgs, contributing artist Liam Gillick and Peter Saville, Artistic Director for Joy Division and New Order.

Rem Koolhaas is the architect behind Manchester's new cultural space, The Factory, set to open in 2020, it will be the permanent home of Manchester International Festival. Koolhaas speaks to MIF's Artistic Advisor, Hans Ulrich Obrist about this exciting new development for the city.

Manchester Street Poem is an art installation at UNFEAR on Oldham Street in the Northern Quarter, telling the stories of Manchester's homeless people.

The opening scene sets the premise for the entire work. Three middle age Londoners collating stories regarding fatherhood by returning to their hometowns to collect text and use it verbatim: "we are devising a show."

Will Artificial Intelligence take over? Will we have human robots? A panel of experts answers all of our questions.

One of the higher profiles on the MIF17 bill, expectations were suitably high for Oscar nominee, Jóhann Jóhannsson's score by the BBC Philharmonic.

A film experiment? A performative debate? A play? What if Women Ruled the World? is all of these.

A play that attests "maybe Rupert Murdoch isn't evil" wouldn't usually be my cup of tea. But how wrong I was.

Electronic R'n'B dark horse, Sampha, was preceded by his own drummer, PAULi in a packed Albert Hall in the middle of Manchester and the middle of the festival.

How privileged we are to have these composers give us their music and enrich our everyday life. This was the opening sentiment of this talk with four of the six composers of site-specific music for the project Music for a Busy City set across the city centre.