Produced and performed by graduates of the University of Worcester’s MTheatre course, Sandhill Manor utilises the folktale of the Sandman to weave its own narrative dreamscape.

An insensitive and untimely production based around the life of Ghislaine Maxwell.

Hitcher Encounters navigates digital cartography with ease, forging a well-trodden path through audio and dialogue.

In the wake of Fatima retraining to cyber, the Clap Back Club delivered a raucous career conference courtesy of Karen and her comrades.

A masterful collection of pop, musical theatre, and cabaret, Rosie commanded the stage with a powerful vocal performance. 

Alfie Ordinary presented a delectable smorgasbord of glam queens, titillating tomfoolery, and guilt-free giddiness.

A Zoom drama that is highly affecting and cleverly constructed. 

“The first rule of vampire training — don’t talk about fight club”.

An unabashed look at the impacts of pornography addiction, Jerk is a comedic representation of growing up that shines at this year’s Brighton Fringe.

Welcome to Petrichor, a dystopian virtual reality theatre experience. 

Comedian Sally Ann Hall’s standup routine is brazenly feminist, honest and charming. 

"The most important step, is the first step. A metaphorical step, but a step nonetheless.”