Arts Award on Voice

We caught up with Echo Boom Generation's, Linda Buratto and Emma Hughes to discuss making a career in the music industry...

Reporter, Idriss Assoumanou caught up with male dancer, Khariis to talk about working in the industry.

Matt Nunn works for Bix. B productions, producing large scale set pieces and props at festivals, and beyond. He'll be building the Inbetweener's area at Latitude this year, so keep an eye out for his handy work.

Hannah Butcher completed her Bronze and Silver awards, then decided to become an Arts Award advisor. She's currently delivering Arts Award at Future Education.

Agi K is a truly exceptional 12 year old film maker. She's home educated in Wales, has already completed her Gold Arts Award, makes multiple films each week and last year won the NYFF award. Her videos are now available on Vimeo On Demand.

Daniel completed his Bronze Arts Award at Cornerhouse, working on his scripts, sharing his work publicly and collaborating with directors and actors. We caught up with him to find out all about it.

Rianna Hobson is the first person to achieve her Gold Arts Award through a library project. Rianna's a keen photographer, who combined her love of image making, with words and library activity...

Fahima Khatun completed her Silver Arts Award at BFI Academy. Here she describes her experience, and discusses how it has helped her in the art world.

Shakespeare Schools Festival is the largest youth drama festival in the UK! Whether your school is taking part or not, there's no reason why you can't get to a performance in your area. Here's a simple guide to reviewing a performance yourself.

This is a guide for those of you who want to know how to make a great video, showcasing the method you used to put your portfolio together.

Last week, I attended a screen printing workshop with Illuminate. Illuminate is part of Nottingham Museums and Galleries for 16-24 year olds and we meet weekly every Wednesday, getting up to lots of creative activities and munching on Jaffa Cakes!

In Part One you learned all about the logistics of festival writing, but how do you come up with the goods? What makes a great festival review?