Interview with Asher Gibson, Orwell Youth Prize runner-up

Asher Gibson was a Senior runner up in the Orwell Youth Prize 2019 responding to the theme ‘A Fair Society?’. We asked him where he got the inspiration for his piece and what motivates him to write.

Interview with Asher Gibson, Orwell Youth Prize runner-up

What was the inspiration behind your piece?

When I wrote the piece, I had two interrelated goals in mind. I knew that I wanted to write something orientated around a social issue related to London so that, if it received any commendation, I could use it to apply to the student newspaper at the university I had applied to. Around this time, I had stumbled upon a YouTube video of a student who was reviewing the thrift shops in Brick Lane. In the first part of the interview, I noticed he showed a marked discomfort as he navigated the streets in front of Brick Lane, which he described as a “rough area”. His demeanour completely changed, however, when he arrived at all of the ritzy, slightly overpriced shops, and it made me curious as to why there was such a significant difference in this young man’s attitudes towards two places that were less than a 5-minute walk from each other. As I was going to be in London the week after for a visit to what is now my University (King’s College London), I decided to investigate the area for a bit of ethnographic study to see for myself, what was the difference between the two areas? Why are they there? How do the people who actually live there, day by day, feel about the area and how do their attitudes differ from those held by the people like the YouTuber? How might the history of the area and political issues like class, race, national identity and London’s multiculturalism have affected these discrepancies?

Why did you pick the form you did?

Although I have written literature in the past, most of my recent work (including this piece) has taken the form of long-form essays and journalism. These are the forms I’ll have to familiarise myself to develop professionally as I begin to seriously pursue a career, either in journalism or political communications.

Why do you write?
At risk of sounding cynical, I write because I’ve been told I’m good at it since I was very young. Teachers and family members saw something in the way I wrote, and so I was encouraged to practice and hone the craft. It became a source of positive reinforcement. It’s just lucky that I love it too. I also write for a wider purpose, but this was borne out of the initial, Pavlovian reason. Because I love it, I learned why it is important. By formal and informal education, watching the news to see how it’s produced, speaking to those affiliated with the Orwell Prize, I came to realise that society needs people putting words to paper, artistically and factually, for humanity to progress and to allow us to try and go about building a good and fair society. There is a reason why fascist governments burn books and ban the marginalised from learning to read and write. Writing can be an art or a technology. Art lets us imagine how we would like the world to look and technology lets us change it. If you don’t want the world to change, you stop people writing about it. I was born in a country where I’m allowed to use my skills, to write and to learn. If I didn’t, I’d be disposing of something very powerful – like tossing a Molotov into the ocean, for instance.

Any advice to fellow young writers?
Do not be disheartened by failure. This whole practice is completely subjective. I entered a competition before Orwell Youth Prize where, despite my teacher’s praise over my work, my piece, and I, received no attention. It knocked my confidence so severely that it almost caused me to forego attending the OYP Celebrations Day, which would have meant sacrificing some very useful advice from Max Daly, engaging political debates, the pride of standing as a Runner Up in this competition, and a very nice set of George Orwell’s essays. Failures are inevitable because a) not everyone is going to like your writing style and b) not everyone is going to like what you write about. That does not make you a bad writer.

Also, practice, and practice in a range of styles. Write essays, academic and non-academic. Write short stories, poems, journalism, anything you can think of. Write for competitions like Orwell Youth Prize or the New College of Humanities essay competition or the John Locke Institute essay competition. If your school has a student newspaper, write for it. If not, start one, then write for it, or start blogging, or contact a local magazine, newspaper, or radio station for work experience. Volunteer for the communications department at a local charity. Get as much published as you possibly can. Keep your momentum going. Throw spaghetti at the wall until something sticks, then keep throwing it so more sticks. Eventually you will build up a portfolio, experience, and confidence that will set you in good stead for whatever you decide to do as a writer, whether you make it your career, as a novelist, poet, administrator, journalist, PR consultant etc, or if you keep it as a hobby.

Also, learn to code and use Excel. You don’t have to be particularly good but writing with data, using data to tell stories, is a very helpful skill to have right now, in many different industries.

And what's a piece of writing/poem/novel/article that has influenced you?

Aptly, I have to be honest and say the essays of George Orwell influenced my journalistic and academic style. His way of being able to use a perfect balance of technical, classics-borne words with more simple, Germanic ones to create clear, distinct meanings in very few words is a skill I’m in awe of. It’s something I try to emulate in most of my writing (and hopefully I’m getting better.) I also find that a lot of the poetry and fiction I write comes out with the unconventional rhythms and grammar I’ve seen in The Handmaids Tale by Margaret Atwood. I suppose it’s difficult to not let a book you’ve studied inside out for 2 years influence your writing style. It’s great for literature, but I have to make sure that those tendencies remain separate from my academic writing, where language is more prescriptive than descriptive.

Remember kids, different styles call for different rules. That’s why you should write in as many as possible.


You can read Asher's essay, 'Brick Lane: A Case Against Social and Ethnic Exclusion in the UK', right here on Voice.

Author

Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe.

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