Interview with Guy Montgomery

"For any one of your opinions to hold value, it has to come from a place of genuinely wanting to say something and not some perceived sense of responsibility or a desire to have the simultaneously most viral and woke take."

Interview with Guy Montgomery

Could you first introduce yourself to the reader?

I am a New Zealand stand up comedian, improviser and I host a podcast called the Worst Idea of All Time where my friend and I watch and review the same movie every week for a year. I am also taller than you imagine and much funnier than represented here.

How would you describe your show?

It is a stand up comedy show featuring some of my best jokes from the past eight years baked into a reflection of my journey to be the person I am today. It is a perfectly balanced show and I have already been awarded the Edinburgh Comedy Award for it, in spite of not being eligible.  

Why do you want to perform at Edinburgh Festival Fringe?

Because I hate money!

What differentiates it from other festivals?

The size and the history. Growing up in New Zealand to even take a show to the Edinburgh Fringe was the gold standard of success as a comedian. Financial implications be damned, if you did it and came back to New Zealand and said "I've just done the fringe" everyone would look at you like a battle hardened Olympian. While the internet has diluted that somewhat, the prestige remains. It's the biggest comedy event in the world, why wouldn't you want to be a part of it?

What first motivated you to enter the industry? Who were your inspirations?

I was very funny in conversation with friends and I wanted to see if I could replicate that on a stage in front of strangers.

 If you didn’t have your current job, what would you probably be doing?

I would be teaching English and trying to be funnier than my pupils. It would be a disaster.

If you could have any job in the world, what would it be?

I feel very grateful to be able to say I'm doing it! Everything would remain exactly the same only the person reading this interview would have already bought a ticket to my show.

What is your earliest childhood art memory?

I was the best at drawing until J2 (six years old) when a boy named Oscar Enberg came into my class and was immediately, obviously so much better than me. I was furious and swore he would be my lifelong enemy. We were best friends within two days.

Do you ever feel any pressure to be a social commentator, or constantly update material to respond to events?

If you spend enough time online it is hard not to. I think I was much more susceptible to adjusting my opinions and jokes to suit cultural trends even three or four years ago but the older I get, the more secure I become. For any one of your opinions to hold value, it has to come from a place of genuinely wanting to say something and not some perceived sense of responsibility or a desire to have the simultaneously most viral and woke take.

Equally, do you think there has been a shift in public sentiment that has affected your work?

Absolutely! It is a marriage (as comedy always is) between what I think is funny and what an audience will find funny. I am living in the same time as my audience and so there will always be an element of my work reflecting their sentiment. 

Describe the last year in 5 words or less?

I am thirty and untethered.

If you could work with anybody, from any point in history, who would you pick and why?

The Wright Brothers because then everyone would say the Wright Brothers and Guy Montgomery invented flight and it would take a lot of the pressure off my career as a comedian.

Why would a performer opt to do either a ticketed event or participate in the free fringe? What are the benefits and limitations of both?

A ticketed event has more prestige attached to it (whatever that is worth, I am anticipating about -£5,000) and there is a higher likelihood that Tories who come to the Fringe every year will discover you. The Free Fringe makes a lot more financial sense but especially as a new act, it is harder to quality control your room and performance conditions. 

What advice would you give to someone who wants to take a show up to the fringe?

I am doing it for the first time so don't listen to me. Don't listen to anyone unless you want to.

When and where can people see your show?

8:55PM at Assembly George Square! You can also see me doing improv with my friends every night at 11PM at the Pleasance Courtyard.

And where can people find, follow and like you online?

You can email me [email protected] if you want to write an email but don't yet have a recipient in mind. Or if that seems too intimate you can follow me on Twitter and Instagram @guy_mont

See Guy Montgomery: I Was Part Of The Problem Before We Were Talking About It at the Assembly throughout the Edinburgh Festival Fringe from 31st July to 25th August 2019. For tickets visit

Header Image Credit: Provided


Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe..

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