Interview with Yann Coste and Sébastien Rambaud, Fills Monkey

"There are no spoken words in the show and we deliberately don’t present political ideas during the show. We want something that is fun and refreshing and in some ways an escape from this world that seems so politically divided."

Interview with Yann Coste and Sébastien Rambaud, Fills Monkey

Could you first introduce yourself to the reader? 

We are Yann Coste and Sébastien Rambaud, and we’re the two French drummers from Fills Monkey, creators and performers of "We Will Drum You"

How would you describe your show?

It’s an original show based on two universal languages: music and humour.

It’s just the two of us on stage, and with no spoken words we drive the audience to a place they’ve probably never been before: A place where every human is welcome, from 3 to 100 years old, every culture, every nationality! It’s a musical percussive rollercoaster of dynamic, fun and comic story telling.

Why do you want to perform at Edinburgh Festival Fringe?

We already played the Edinburgh Fringe a few years ago and it was such an experience!

Since then, we’ve created a brand new show and we’re more experienced. We’re really excited to come back to the biggest festival in the world! 

What differentiates it from other festivals?

I would say of course the size but we’ve participated in a bunch of festivals around the world so we can say the atmosphere of this one’s really unique! There’s a kind of magic in the air which is really difficult to describe, and this year it’s the 75th birthday of the festival so we couldn’t miss that! 

What first motivated you to enter the industry? Who were your inspirations?

We were both attracted to this way of life, creating, travelling, meeting different people and cultures. In many ways music is a pretext to do that, but it could have been painting or sculpting! But music won at this time, (probably because I’m a very bad painter! Haha). We of course had a lot of inspiration; drummers like Dave Grohl (Nirvana) and Stewart Copeland (The Police) for example! They were really big drumming idols for us when we were young.

How has your background, upbringing and education had an impact on your artistic career? 

Yann and I have almost the same story even though we didn’t know each other at this time!

Because we weren’t happy with the "conventional" school education, we looked for something different. So when we were teenagers, music was not only a passion but I would say the way out. For that reason, we both studied music very seriously and tried to have the broadest knowledge and technique as well.

What is your earliest childhood art memory?

Haha it’s really not glorious, but the oldest memory I have is with my father’s drum kit. One day I snuck in to play it, and pierced a hole in his snare drum, with one of his drumsticks! And because I didn’t want him to see it, I just put a little piece of white paper in front of the hole! Obviously, he found it, but instead of being angry with me, he kept the snare as a trophy and now is the biggest fan of Fills Monkey! 

If you didn’t have your current job, what would you probably be doing?

I don’t think Yann and I would be able to do anything other than music. But we can play different instruments, compose and sing so we would probably be on stage anyway! 

Did Covid-19 change the way you create work? Do you approach shows with a different mentality now? 

I would say Covid 19 changed almost everything in a musician’s job, but the artistic part itself. Of course, we had to cancel our world tour (we were supposed to go back to China for 30 shows!) And it’s harder now to restart the machine. But fortunately, we’re still very free with the artist and creative side. So, the magical world we’ve created on stage is 100% covid free! 

Describe the last year in 5 words or less?






Do you subscribe to the idea that art should be exempt from ‘cancel culture’? 

It’s actually a very interesting debate but I don’t think this question really applies to Fills Monkey.First of all, there are no spoken words in the show and we deliberately don’t present political ideas during the show. We want something that is fun and refreshing and in some ways an escape from this world that seems so politically divided.

If you could work with anybody, from any point in history, who would you pick and why?

We would work with the two drummers I quoted before, Dave Grohl and Stewart Copeland! One of our dreams would be to work with them as a duo, like us and organise a drum battle with them! 

What advice would you give to someone who wants to take a show up to the fringe?

I don’t know if I’m in the best position to give advice on this point but I would say work as hard as you can before, and then when you’re there relax and enjoy the festival! 

When and where can people see your show?

It’s every day at the Pleasance Courtyard in the Grand at 4PM

And where can people find, follow and like you online?

Fills Monkey: We Will Drum You, Pleasance Courtyard (Grand), 4pm, 3-29 August (not 16 or 23). For tickets, visit: 

Header Image Credit: Denis Rouvre


Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe.

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