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8 May 2016
Immigrant Diaries: Sajeela Kershi & Guests
A small, intimate venue with a relaxed environment, where four people relay their stories and experiences of Immigration and the problems that come with it.
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8 May 2016
Sparkleshark by Philip Ridley
A show full of imagination, focusing on the power of friendship.
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8 May 2016
Sex and God
Sex and God is a moving and gut-wrenching play, performed beautifully by an all-female company.
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8 May 2016
Zach and Viggo: Thunderflop
A crazy and chaotic show that's sure to get you laughing.
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8 May 2016
Mummy or The Art of Saying Goodbye
Equally as witty as it is heart wrenching, Mummy or The Art of Saying Goodbye is a fun and interesting show full of humour, emotion and honesty.
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7 May 2016
Improv Deathmatch
A fast-paced show that will definitely put a smile on your face.
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7 May 2016
Julius Caesar
A strange (and strictly 18+) twist on a Shakespeare classic that won't be to everyone's taste. Well, we are in Brighton after all.
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5 April 2016
How to...form and express your opinion
We begin to form opinions from a very young age.
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5 April 2016
Nell Gwynn
In light of the show's win at the Olivier's the other night, I have finally got around to posting my review of this fabulous show.
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24 January 2016
My time shadowing a DSM
A piece about my experience of shadowing a professional Deputy Stage Manager.
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19 December 2015
In the year Billy Elliot turned ten, is ballet still a difficult choice for men?
Since the early 19th century, Western culture has depicted male ballet dancers as weak, effeminate or homosexual. Studies have shown that teenagers in particular can have a highly stereotypical view of gender-specific sports, and these views make people less confident in breaking out of their shell and indulging in activities or arts that are seen as 'effeminate' or 'manly'.
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23 November 2015
Top tip 4: Remember the backstage boys (and girls)
Check out the guys behind the art – techies, curators, website designers, marketeers…interesting work. Kolby thought so too – read his Gold opinion piece.
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24 October 2015
WHY? What's Happening for the Young? 2015
WHY? Festival celebrates the rights of children and young people and uses the arts to confront difficult issues.
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9 October 2015
Case Study: Jo Nead, Arts Award Activist and Gold achiever
I first came across Arts Award during work experience at the Royal Shakespeare Company in 2013, where I was given the opportunity to complete a Bronze Arts Award alongside the course.
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3 September 2015
School: a creative utopia
Imagine a world in which equality is universal. Not just between men and women, but between creatives and academics.
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1 September 2015
How Schools View Careers in the Arts
This is a topic that is very close to my heart and the opinions I have formed come mainly from my own experiences in attempting to gain acceptance and help from my school in regards to the career path I have chosen to follow.
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13 August 2015
The Quentin Dentin Show
A weird and wonderful show that keeps you guessing.
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13 August 2015
Ismo Leikola: Observing the Obvious
To perform a stand-up comedy show in your own language is hard. To perform in a foreign language is another ball game altogether.
Comment posted on 10 July 2019
I also agree. If a show has a younger targets audience, sometimes adult/older reviewers will not connect with the piece or simply won't appreciate it for what it's worth.
I have read a review of a show before where the reviewer really didn't like the piece and didn't understand what it was trying to achieve, which can put people off of going to see it. Luckily, I persevered and went to the show anyway, and was absolutely blown away. I was the ideal target audience for the show and I completely understood it.
It reminded me that young voices are so important, especially in the arts, and reviewing is an excellent way for your voice to be heard.