"Not one day is the same. I get to work with fantastic, hard working people, people who really have you back through the thick and thin. It’s such a special moment when everything comes together and you’re looking at the monitor like ‘Wow…we did this?!"

We spoke to Jule Konrad, from Echelon Talent Agency about what she does day-to-day as a music booking agent, and how she ended up with the job. 

Originally working in gastronomy, Imanja has successfully pivoted to working in the music industry, wearing many hats and loving every minute of it. 

Mary McGowan discusses her work as an editor for publishing departments within tech and law companies.  

"I know the idea of working for the companies you loved as a child seems unattainable, but it’s not. "

Emily Goulding has recently joined HarperCollins Publishers as a Public Relations Assistant for their fiction department.

"I’ve always been slightly different to others so I wanted to create that within the agency. I wanted it to be a place with fresh faces that may not get seen."

"I think there are common misconceptions regarding how CGI is made and how much work and time really goes into making something look good. On-screen the best visual effects are often invisible as we only tend to recognise bad CGI."

Voice speaks to Paris Anthony- Walker, Digital illustrator, who paves the way for young Black women in the industry. Her unique portraiture work combines faces of those she loves with boldness and edgy detail.

Behind and in front of the lens with photographer and model EarlGreyHot

"How many people can say they have seen the drawings of Leonardo Da Vinci up close? Or handled a Shabti from Ancient Egypt?" 

"My parents sent a picture to me of that day's newspaper with not one, but two of my hats on my beautiful customer! I cried, then that afternoon I got a message to say to turn the television on and my third hat appeared on another of my customers"