Cecilia Bengolea and François Chaignaud kick off the show with ‘Grime Ballet’, a mesmerizing experience that begins in silence. The dancers gracefully move individually, their every glide and landing audible, as they seem different moving parts of a same entity. As the pumping music starts, the dancers seamlessly unite. There is a simplicity in movement that encompasses a wide array of dance genres whilst creating its own unique style.
The standout piece, ‘Weather is Sweet’, delves into the exploration of different amorous forms with a playful and sexually charged energy. By deconstructing traditional notions of sex and incorporating additional dancers into the initial lovemaking, the performance offers a unique perspective on gender and sexuality dynamics. (LA)HORDE delivers a gripping and captivating performance that subverts conventional pop and hip-hop sexualized imagery.
The first half concludes with Peeping Tom's ‘Oiwa’, a cinematic interpretation of a Japanese legend. Through the skilful use of dry ice, the stage is transformed into a mystical realm, where bodies roll around in the thickest of fogs and the transformation of characters is even more enchanting. The renaissance-esque imagery and magical qualities add new dimensions to our perception of love, sex, and violence in the story.
Lucinda Child's ‘Concerto’ presents a stark contrast with its post-modernist, non-linear choreography. The ensemble of black-uniformed dancers subdues their personalities to form a fluid, chaotically ordered collective, perfectly synchronized with Henryk Gorecki's music. The use of layering and repetition of sequences is cleverly transformative in an understated and admirable manner.
Claude Brumachon and Benjamin Lamarche's ‘Les Indomptés’ explores masculinity and love in a tender yet powerful performance. The chemistry between the performers highlights sensuality and brutality through every outbreath of movement. Although performed countless of times before, the piece still has great relevance in how we understand masculinity and homosexuality in a modern world.
Lastly, The show concludes with (LA)HORDE's joyous celebration of community, a rave-like dance that exudes rage and power, showcasing the heart of the performers.
This dynamic program presents an innovative and forward-thinking showcase of choreographers, brought to life by the exceptional talent and captivating performances of the dancers.
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