The smash-hit musical tells the story of infamous pop star Rachel Marron (Emily Williams) and her bodyguard Frank Farmer (Ayden Callaghan). Following the emergence of death threats from an increasingly alarming stalker (Marios Nicolaides), Farmer is hired by Rachel’s management to protect her at all costs. Naturally, the relationship between the two takes a romantic turn which raises the central question: can business and pleasure be mixed successfully?
The plot is a little thin on the ground at times. Most of the characters are two-dimensional, including the stalker who despite a few jumpscares, is not overly scary. Throughout The Bodyguard, lavish musical numbers take priority over character development and narrative exposition. Despite some poignant musical numbers such as Saving All My Love For You which is performed by Nicki’s sister, the songs don’t function as anything more than evidence of Rachel’s talents. Though, this is more of a problem for the seasoned theatregoer than the Whitney Houston superfan, who attend the show largely for the glitzy musical numbers.
Music-wise, The Bodyguard certainly delivers. As Rachel, Emily Williams brings powerhouse vocals and a real charisma to the role and is equally at home with Houston’s power and sentimental ballads. Though, the real star of this production is Emily-Mae as Nicki, who lives in the shadows of her sisters fame. Thankfully, Nicki plays a bigger part on the stage than in the film. Emily-Mae boasts crystal-clear vocals throughout and provides some real standout moments with a well-rounded and tender performance.
The Bodyguard’s production values were lacking however, which left me struggling to suspend my disbelief. The costumes for Rachel were largely subpar and were both ill-fitting and cheap. Considering her supposed stardom, the unflattering black jeans which she wore multiple times in the show drew my attention in a negative way. The same can unfortunately be said for the set. Rachel’s mansion was largely portrayed by sets of plush curtains, there to fill an otherwise set-free stage rather than connote luxury.
For the Whitney Houston fan or pop aficionado, this production is the perfect tonic. Although, if you’re a more seasoned theatregoer, you’re likely to be left disappointed.
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