Emily Goulding has recently joined HarperCollins Publishers as a Public Relations Assistant for their fiction department.

We speak to Lise Bell, former Exec Director at the Gate Theatre in Notting Hill, and visual artist Than Hussein Clark about the new spaces and wraparound support they are making available to artists as we look towards a post-recovery creative sector. 

“There are so many people out there without a voice, or who do not know how to or even that they can use their voice for good. I will be that voice.”

“I had no idea where my volunteering journey would take me, and that it has allowed me to raise attention to the youth voice across government and international organisations in a real way only speaks to the power of the youth voice!"

"I’ve always been slightly different to others so I wanted to create that within the agency. I wanted it to be a place with fresh faces that may not get seen."

“World leaders and business leaders are waiting for you to speak up and be involved. If we want to shape our future, we need to start now and build a future we want.”

We speak to Simon Paris, Artistic Director of interactive theatre company Say It Again, Sorry?, about their audience-centric approach to theatre, their plans for 2021, and the challenges faced as we come out of lockdown. 

"To all young people I say, the world wants to listen to you! If you do not speak up, no one may know what you want."

Ameridian Rock band VAYA combine history, culture and creativity to create new music that will surely be a new listening experience. From their second album to an award winning short film read on to find out more about this unique musical project. 

"If nothing is done to reach sustainable development in 2030, we will be in an international apocalyptic era. There is no second earth."

Behind the craft of jewellery making with the owner of Toilworn Jewellery

"I think there are common misconceptions regarding how CGI is made and how much work and time really goes into making something look good. On-screen the best visual effects are often invisible as we only tend to recognise bad CGI."