We interview Emma Pallett, actor and writer of Flumps, ahead of her upcoming show at Brighton Fringe

"Your AI overlord bitch can't reach you here. Like I said: it’s just you and me."

Lauren is joined by Mark C. Hewitt and Marta Carvahlo, who talk about their Brighton Fringe show “Labyrinth," which will be showing at Brighton Fringe from May 25-29. 

From the works of Hirai-Kikaku and Media Kobo (Japan), we see just under 2 minutes of creative storytelling where they utilise project mapping, word, and dance on another level.

A quasi-French fever dream bound up in swans, mime, and a spectacular nude finish. C’est trés bien!

Produced and performed by graduates of the University of Worcester’s MTheatre course, Sandhill Manor utilises the folktale of the Sandman to weave its own narrative dreamscape.

An insensitive and untimely production based around the life of Ghislaine Maxwell.

A saccharine monologue based around the platitude of fixing broken things and people.

This musical highlights the little known but influential life story of Helen Carte, who was the business mastermind behind the successful Victorian musical duo Gilbert and Sullivan. 

A masterful collection of pop, musical theatre, and cabaret, Rosie commanded the stage with a powerful vocal performance. 

Alfie Ordinary presented a delectable smorgasbord of glam queens, titillating tomfoolery, and guilt-free giddiness.

Sitting Pretty was a millennial melodrama, 50 minutes of magnificent mayhem rooted in a fond yearning for yesteryear.