Ian Mellencamp’s latest single, “S&C (Dopamine Sheen)”, is an electrifying dive into the psyche’s darker corners, blending alternative pop, electronic, and hip-hop elements.

With her latest track, "Unforgettable", Mathilde SPZ solidifies her rising-star status in EDM, bringing a fresh, addictive anthem to the scene.

As Black History Month 2024 comes to an end in the UK, we ask whether this annual event offers a tokenistic spotlight or a much-needed acknowledgement of Black contributions to the world.

I learnt the first half on my monologue from Treasure Island and added actions. I also started watching a TV version of the book on DVD.

Hong-kong born singer Qymira has returned with ‘Labyrinth Of Life (Eddie Craig Remix),’ a bewitching tapestry of electronica, high-energy production and vibrant melodies...

Maddox Jones and Livvy Lauren are set to shake up the scene with a heartwarming duet, 'Another Sad Song.'

Over the last two months, we've spoken to amazing working class creatives, including Bridgerton's Claudia Jessie and CHERUB author Robert Muchamore, for our Kick Some Class series about social class in the arts. Here, we reflect on the series.

Rising Musical artist YFLRJ believes people should only care about his music if it brings them value. He credits the internet for expanding his reach, encouraging connection and creativity. 

This blog explores the parallels of history found in our contemporary political and media based society. It uses Roman and Greek mythology as a parallel to the age of accessible information, liberating the readers participation as active consumers. 

Much like many words in the English language, the same word can have different meanings to people of different ages and walks of life. 

If Joker: Folie à Deux was telling a joke, is its abysmal box office performance the punchline? This sequel is just one of many comic book flops this year, signaling that the genre risks becoming obsolete, much like the Westerns of the past.

Following the box office devastation of Joker Folie à Deux, is it time that we embraced musicals for what they truly are?