From ghosts roaming the halls to doorways to hell, can you survive in Blaine Manor till dawn?

A review of SIX, by Lucy Moss and Toby Marlow

The smash-hit musical by Catherine Johnson, based on the legendary movie.

"Essentially, the ideas I would bring to her would be full chunks of marble and little by little, bit by bit, she would help me chisel those blocks down and find the art that always wanted to exist underneath."

"Trying to pursue an acting career in London, made me realise that, at least in the commercial side of the industry, I will never be allowed to play anyone but an East European stereotype, most likely with no words and being OK with nudity."

"The show was written to inspire an honest conversation surrounding mental health (in all its varieties), and also not to glorify it to a level where it diminishes the severity of it all."

"I try hard not to watch too many people I actually like as I dread the thought of just doing what they do. What I prefer to do is watch stuff I don't like and then just do the opposite!"

"Honestly, if someone asked me to describe my show, I think I would come up with a lovely little paragraph."

"When you’re up there it’s such a bubble, having a daily phone call with someone who couldn’t care less about reviews or audience numbers is very grounding. It helps me to keep things in perspective and see the bigger picture."

"Humiliation is good for the soul! And that you are not owed anything in life so you might as well try to have a good time."

"I write from a place of great silence, so I never think about what messages I am trying to get through. If anyone in the audience sees some part of their own life’s experiences reflected, I would consider myself very rich indeed."

"Years ago, I performed a piece about domestic violence with the rest of my cast at 10:10 am for 1 man. We had a house that could fit 80. We gave it to him—didn’t hold back. And he was great. Gave us a standing ovation. I’ll remember him forever."