A new Edinburgh Festival?

How can the arts help us heal after lockdown?

A new Edinburgh Festival?

During such an unprecedented time, it is only natural for us to look back to other periods of crisis, seeing how past generations coped with uncertainty and fear. While comparisons with World War Two are not always applicable, the artistic phenomenon started in the aftermath of the conflict can give us an insight into the power of the arts to help us heal.

The first Edinburgh International Festival was run in 1947, with the aim to “provide a platform for the flowering of the human spirit”. While today the event has gained global fame for being a place of experimentation, inspiration, and enterprise, it was originally created to help heal the fractured spirits and relations of the war-torn world, bringing together artists from across the international stage in a show of unity and peace. This somewhat hidden history of the festival demonstrates how an artistic response to a political and social issue can grow into a miraculous event. It suggests that the arts could be the first responders to the emotional damages and divisions of Covid-19. 

The festival encouraged unity in a way the politicians couldn’t. It resisted Iron Curtain politics when Soviet Unionist Bolshoi artists performed at the festival despite tanks rumbling into Moscow. It initiated the first ever film festival despite power cuts and food shortages. It even proved that the arts are for everyone by encouraging the growth of the Fringe. Conductor Bruno Walter declared that “What you have done in Edinburgh is one of the most magnificent experiences since the war. Here human relations have been renewed.” It broke international barriers between artists and between audiences. It broke class barriers and changed the idea of “high” and “low” art. It helped make the broken world whole again. 

Perhaps it is symbolic that the festival is not going ahead this year, in a time when we are once again facing death, distance, and division. Perhaps its spirit of unity cannot exist in a world wracked by disease. But perhaps this is also a chance for us to rediscover the ideals on which the festival was built. Artists across the globe have been responding to Covid-19 by sharing their work, from home concerts to the streaming of plays. It is clear to the artistic world that we need the focus, escapism, entertainment, and shared experience of the arts now more than ever. However, the arts are also one of the industries suffering most greatly at the moment, with theatres and galleries unlikely to open for some time due to their reliance on mass gatherings. 

But if nothing else, the arts can provide hope. Just as the Edinburgh Festival helped to heal the world 73 years ago, so can accessing the arts online help us to remain courageous and united now. Beyond that, once we are all safe and free once more, it is the arts we should look to for inspiration. It is the arts we should look to for community. And it is the arts which can help us to heal when lockdown is finally over. 

Header Image Credit: Mihaela Bodlovic


Alexandra Hart

Alexandra Hart Contributor

I'm a student from London with a mammoth passion for all things theatrical. My favourite things are reviews, fringe festivals and interval ice-creams!

Writing for Voice Mag has given me a platform to develop my journalism and artistic skills - the perfect excuse to attend even more arts events in my local area. When I'm dancing, acting or creating I feel like I finally have a purpose in life. I hope this will be the start of a journey fuelled by my passion, and, propelled by my enthusiasm, this is what I want to spend the rest of my life doing.

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