Sitting on a panel alongside a member of the Casting Directors Guild, a famous actor/comedian, and a freelance director, is not a bad way to start your Saturday.

So it's been nearly 3 weeks since I left Scotland and the Fringe for yet another year.

Harrogate is a play that slowly gets under your skin until, before you know it, you feel you need a good scrub to get it all out. Brilliant, but utterly twisted.

Luke Norris has created a script for So Here We Are that is so tightly packed with laughs, that the ending — despite its inevitability — can't help but rip your guts out.

I love DV8 physical theatre. My partner loathes them. Who is right?

Susan M Coles is a passionate advocate for art, craft and design education in the UK (and beyond).

This month we're discussing the important role of creativity within education, and beyond. It's not just about getting a great career and scoring the top grades (although creativity can help with that too!) it's also about what it means to be human, and where 'home' is to you.

Global Arts Corps have worked in areas such as Rwanda, Kosovo, Cambodia and Northern Ireland, using theatre as a tool to form bonds and bring people together from opposite sides of - often violent - disputes. We caught up with Executive Producer, Jackie Lessac, to find out more.

Did you know that there's a Bristol in Australia? Me neither. Well, I do now, and so do you.

Rumplestiltskin, Hansel and Gretle, The Original Beauty and the Beast, The Bird, the mouse, and the sausage. Four tales, all oddly to do with food.

You'll get a lot of people telling you that writing a review is easy, but the simple fact of the matter is that if you've never done it before, it definitely isn't going to be. We'll all have done some textual analysis in school for English but after that exam, it escaped our memories quicker than, well… you can remember.

Associate Artist of The Human Zoo Theatre Company talks to Voice about their 2014 debut production, and their new 2015 show, The Girl Who Fell in Love With the Moon