Monica Cox Voice Reviewer

I had the pleasure of having a very interesting conversation with actor Harmony Rose-Bremner who is currently starring in The Years at the Harold Pinter Theatre.

These two complementary, must-see exhibitions bring power, subversion, and joy to a broad spectrum of feminist issues.

Wet Mess brings to life an intricate and boldly imaginative production that explores the transitory transmasculine experience with humour, vulnerability, and striking creativity.

In this autobiographical piece, basketball player and activist Katsiaryna Snytsina takes us through the turbulent changes and oppressive dictatorship in Belarus.

Plexus Polaire’s poetic storytelling and stunning puppetry transports us to the depths of the sea and through the expanse of the ocean.

Brú Theatre skilfully combines the art of the violin, the plasticity of a striking set, and the moving embodiment of a lonely soul to illuminate the lives of Irish navvies.

A seamless blend of puppetry, projection, physical theatre, and live music brings this lesser-known Grimm Brothers' tale to vivid life.

‘Cyrano’ takes a classic story and reimagines it within a meta-theatrical framework, deconstructing its meaning and structure to present a fresh, modern interpretation infused with female and queer perspectives.

As the audience files in, the delightful festive atmosphere comes alive as the ensemble cast teach ballet moves to attendees of all ages.

This cabaret-style biography explores the life and works of Bertolt Brecht, offering a vivid glimpse into pre- and post-Nazi Germany.

Michael Keegan-Dolan’s company Teaċ Daṁsa present a fascinating and bold performance which eludes meaning and exudes creativity.

This purist production of 'The Wild Duck' brings to life Ibsen's classic, delving into the unfolding complex family dynamics at the heart of one man's search for truth.