Your profile shows every post you’ve published on Voice. You can also curate posts into a portfolio collection in the admin area then click 'View portfolio’ above to see the portfolio.
I was fortunate to attend the Premiere of The Cycle by Vilma Jackson on Wednesday 25th October. This was an extra-ordinary which included a psychological thriller that packed a punch, a social awareness and advocacy campaign for deaf rights and the stunning debut of a new star.
The last first. Vilma Jackson, conceived, wrote, directed, starred in and produced this 30-minute film, delivering professional quality. There was little to distinguish the film from the standard of editing, lighting, acting and sound that one would witness on a mainstream platform. Impressive and certainly a talent to look out for.
The film was followed by a Q & A panel about the relationships between the Police and the Deaf community and the issue of domestic abuse within that community. This was graced by a senior representative from the Manchester Constabulary who is responsible for liaison with Britain’s Deaf citizens. This was a remarkable session which I enjoyed through the sign language interpretation provided. Takeaways: The Police are raising their game, for example there is now a Deaf friendly way to call 999 and communicate with help, yet many are not aware of this; There is much more to be done with regards to improving deaf awareness in the Police and removing bias towards hearing people; Sign language is a beautiful and sophisticated means of communication. It was a real privilege to witness such a passionate, mature and detailed conversation in this medium. Congratulations to Vilma Jackson for making this an integral part of the Premiere.
The film itself was a harrowing and scary journey through the trauma of domestic abuse. The plot is unpredictable and holds viewer interest all the way to the finale. In response to questions from the audience after the Premiere, Vilma Jackson explained how the casting was designed to surprise and that it was important to include blood and violence in a production with a predominantly deaf cast because – why not? Deaf people are adult human beings and TV and Film designed for them should not treat them as children.
Watch “The Cycle” with your eyes wide open and pay close attention to detail. Every nuance is there for a reason.
Comment posted on 10 November 2023
I was fortunate to attend the Premiere of The Cycle by Vilma Jackson on Wednesday 25th October. This was an extra-ordinary which included a psychological thriller that packed a punch, a social awareness and advocacy campaign for deaf rights and the stunning debut of a new star.
The last first. Vilma Jackson, conceived, wrote, directed, starred in and produced this 30-minute film, delivering professional quality. There was little to distinguish the film from the standard of editing, lighting, acting and sound that one would witness on a mainstream platform. Impressive and certainly a talent to look out for.
The film was followed by a Q & A panel about the relationships between the Police and the Deaf community and the issue of domestic abuse within that community. This was graced by a senior representative from the Manchester Constabulary who is responsible for liaison with Britain’s Deaf citizens. This was a remarkable session which I enjoyed through the sign language interpretation provided. Takeaways: The Police are raising their game, for example there is now a Deaf friendly way to call 999 and communicate with help, yet many are not aware of this; There is much more to be done with regards to improving deaf awareness in the Police and removing bias towards hearing people; Sign language is a beautiful and sophisticated means of communication. It was a real privilege to witness such a passionate, mature and detailed conversation in this medium. Congratulations to Vilma Jackson for making this an integral part of the Premiere.
The film itself was a harrowing and scary journey through the trauma of domestic abuse. The plot is unpredictable and holds viewer interest all the way to the finale. In response to questions from the audience after the Premiere, Vilma Jackson explained how the casting was designed to surprise and that it was important to include blood and violence in a production with a predominantly deaf cast because – why not? Deaf people are adult human beings and TV and Film designed for them should not treat them as children.
Watch “The Cycle” with your eyes wide open and pay close attention to detail. Every nuance is there for a reason.