A one woman show created and performed by Rachael Young

A Shakespearean romance/tragedy; lots of kissing, lots of dying, lots of drama...

Dark humour playfully dances on the thin line between imagination and reality - Written by Peter Kenny

Drag king cabaret meets lyrical theatre in an innovative, audience-pleasing play exploring the timeless themes of gender identity and self-acceptance.

Lively and enjoyable, with a dark undercurrent that drives the play to its gripping denouement.

Lots of 'ooh's, a bit of 'ahh', a great deal of 'haha!' and it all ended with an 'awhh' (as well as a few goosebumps).

A mixtape about the identity crises that are experienced by first- and second-generation immigrants.

After a good start, the show sadly slowed down and, to be honest, it was rather disappointing by the end.

This charming New-Yorker really helped open my eyes to the world of parenthood; the ups and downs, the ins and outs, and the itchy momma bears.

Bringing the power of authentic folk music to life, Ellie Ford and her backing band delivered yet another memorable performance at Brighton Fringe.

This show rode on a wave of two successful elements – neither of which had much to do with the intended routine.

Bollywood Brass Band gave us an evening of entertainment, were very engaging and really connected with the audience.