A visual and musical interview with Liz Turner, famous radio broadcaster of the 1950s.
Funny, insightful and well-choreographed: the perfect words to describe this piece.
Skepta recently put out his newest album 'Konnichiwa'.
William Shakespeare has written some truly bangin' plays - and there's just no arguing with that.
A one woman show created and performed by Rachael Young
A Shakespearean romance/tragedy; lots of kissing, lots of dying, lots of drama...
Dark humour playfully dances on the thin line between imagination and reality - Written by Peter Kenny
Idiosyncrasies become normality for the audience, as the actors' performances flourish amongst the ingenious direction.
Drag king cabaret meets lyrical theatre in an innovative, audience-pleasing play exploring the timeless themes of gender identity and self-acceptance.
Exploring themes of betrayal, deceit and love (obviously), The Half Life of Love, an original play written by Gail Louw, delves into the dysfunctional relationships between its three characters.
Lively and enjoyable, with a dark undercurrent that drives the play to its gripping denouement.
Lots of 'ooh's, a bit of 'ahh', a great deal of 'haha!' and it all ended with an 'awhh' (as well as a few goosebumps).
A mixtape about the identity crises that are experienced by first- and second-generation immigrants.
Vile is recurring theme at the fringe, but never has vile been so slick, so everyday, and so horribly depressing.
After a good start, the show sadly slowed down and, to be honest, it was rather disappointing by the end.
These two gals combined acrobatics, a goofy sense of humour, and the odd spinning plate to tell the semi-autobiographical story of their creative arts journey.
This charming New-Yorker really helped open my eyes to the world of parenthood; the ups and downs, the ins and outs, and the itchy momma bears.
Bringing the power of authentic folk music to life, Ellie Ford and her backing band delivered yet another memorable performance at Brighton Fringe.