The Curious Incident of the Dog in the Night-Time

This production, adapted from Mark Haddon's novel of the same name, follows the story of Christopher Boone - a fifteen year old how struggles socially due to his Asperger's syndrome but excels in mathematics. Christopher finds a dead dog in his neighbour's garden and becomes obsessed with finding the murderer, but his detective work takes him on a journey that changes his world forever.

The Curious Incident of the Dog in the Night-Time

As a winner of seven 2013 Olivier Awards and five 2015 Tony Awards, this play has a stigma of excellence surrounding it, and it certainly does not disappoint. It is hailed for so many things, but what excited me most about it was the set design. The play is carried out in a cube like stage baring a mathematical grid which is extremely versatile. Projectors were used to transform the stage into different settings quickly, whilst the actors seamlessly rearranged any props on stage. They turned a small space into an incredible set with an innovative design. Also I was worried that it might be hard to follow like the novel – as at times it became very complicated and overly mathematical in order to show how Christopher was thinking, but what had been previously confusing and hard to visualise was simplified which helped the audience to emote to Christopher's situation. Finally the use of physical theatre made this play stand out when compared to others I have seen due to how artistic it was, for example when Christopher opens a box of letters and each letter is slowly lifted away from the box so they appear to be floating.

I find it hard to offer any bad thoughts about the production, however the portrayal of Christopher's Asperger's has been criticised for being inaccurate and therefore making the audience ignorant to the character's true situation – however Haddon never claims to be an expert on the subject and keeps Christopher's mental problems ambiguous.

From this experience I have learnt that you do not need a large cast to create something engaging, and also the importance of lighting, as it focusses the audience on certain characters without being too obvious about it. I highly recommend this play – definitely above other West End productions as this play is truly unique. It did not lose the essence of the novel, and possibly even improves upon it. The technical creativity and set design made the experience like no other and I would definitely go again.

Author

Catherine Bacon

Catherine Bacon

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4 Comments

  • Bhavesh Jadva

    On 5 January 2017, 20:32 Bhavesh Jadva Voice Team commented:

    The ever popular Curious Incident! Such a classic story, and so few ever have a bad word to say about it. Good review - well detailed about the execution of the play. I feel like Haddon would've done the research about the portrayal of the Autistic Spectrum to pull off such a play. On the one hand, the portrayal of such a grey area condition can scarcely be nailed down. On the other hand, stereotypes about the condition are very much extrapolated for entertainment so perhaps what you say has merit...

  • Luke Taylor

    On 6 January 2017, 10:22 Luke Taylor Contributor commented:

    The book really helped me feel like I wasn't alone in the world, so to hear that the theatre adaption is acclaimed by critics & audiences alike is such a wonderful feeling. Great review!

  • Fizza Ali

    On 7 January 2017, 22:44 Fizza Ali commented:

    The book is a fantastic reads and one of my favourites. From your review, I am sure the production matches high expectations. I'll definitely be going to see this!

  • Kheira Bey

    On 29 January 2017, 18:52 Kheira Bey Contributor commented:

    I have honestly not heard anyone say a bad word about this production and love the way that it brings people together who are not, shall we say, people who typically go to the theatre a lot. The portrayal of Christopher has been criticised as being inaccurate, but the joy of theatre is to enjoy other people's interpretation of Christopher and although the play suggests that Christopher is 'different' in some way, there is a lot of ambiguity involved on Haddon's part and indeed Simon Stephens's part. My friend Tom [Dennis] plays Christopher on specific days at the National and I know he has not been criticised, yet plays the part ambiguously and openly.

    If you enjoyed this play enough, I really recommend that you visit this interview I conducted with Simon Stephens, who adapted the novel into the play but is also an amazingly entertaining man! Here you go- https://www.artsawardvoice.com/magazine/articles/interview-with-simon-stephens-playwright and let me know what you think!

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