The US-based Indian composer’s latest single is a heady blend of throwback synths, ambient textures, and cinematic production, all wrapped in the warmth of a genre he coined himself: VS Pop™ (Very Smooth Pop). It’s a genre that feels as polished and purposeful as its name suggests, and here, it’s used to explore something deeply human: how we keep going when everything feels uncertain.
There’s something nostalgic about this track, but it never feels dated. Instead, it functions like a retro-futurist soundtrack to a movie that doesn’t exist yet – a glittering sonic escape where emotional weight meets a steady pulse. Anchored by analogue-style synth basslines and shimmering arpeggios, the production pulls from ‘80s pop sensibilities, yet it never slips into pastiche. What makes it modern is its heart. Lyrically, “Dancing in the Dark” leans into vulnerability: lyrics such as “Don’t you think you’re losing your mind again?” and “Tell me now, do you feel the same?” hit with sincerity, while Junior Paez’s rich vocals guide the emotional arc with warmth and lift.
But this isn’t just a mood piece. It grooves. The chorus – “hold on, I’ll take you a little higher tonight / we keep dancing in the dark” – lands like a mantra. It’s catchy, yes, but also grounding. Srikanth’s magic lies in his ability to make introspection feel like movement. The track doesn’t demand escapism – it offers it gently, encouraging you to stay in the moment while pushing through it. That’s a rare balance to strike, and it speaks to his background: a Berklee College of Music grad with over 250 original works across orchestral, ambient, and electronic genres, Srikanth brings that depth to every bar.
“Dancing in the Dark - VS Pop™” isn’t just a track – it’s a statement of intent. It shows that CR Srikanth isn’t chasing trends; he’s building a sonic identity that draws from cross-cultural influences and personal philosophy. Whether you’re a synthpop enthusiast, a casual listener in need of a lift, or someone looking for a bit of clarity in the chaos, this track offers both escape and grounding in equal measure. And that’s something worth dancing for.
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