We are greeted by Loren Elstein’s set design which impeccably captures the cold yet opulent world of Julie’s home. Smooth marble countertops, floating staircases, and vast floor-to-ceiling windows create a sleek but sterile atmosphere. A large digital clock marks the night’s progression, reinforcing the inevitable unraveling of events.
Laura Lomas’s reimagining of August Strindberg’s Miss Julie leans into the emotional isolation of its characters but leaves the play’s class themes under-explored. Without the context of Miss Julie, the play loses meaningful relevance, particularly in why and how this party setting is weaved into the narrative.
Holly Race Roughan’s dynamic staging, paired with Scott Graham’s pulsating movement direction, shines in the ensemble dance sequences, viscerally capturing the fleeting energy of a party as it swells and dissipates.
While the production excels technically and is visually striking, it ultimately lacks a clear argument for why this retelling of Miss Julie feels pertinent today.
Show Title: The House Party
Venue: Rose Theatre Kingston
Review Date: 07/03/2025
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