Through a green haze, we see a walkway protruding from the entrance of a cave-like backdrop. In the blackout, a neon sign appears, describing a dream which returns full circle at the end, revealing that we are not dreaming at all, but simply afraid.
This neon sign serves as a recurring motif, framing the questions posed to voiceover interviewees as they reflect on what it is to be transmasculine.
Wet Mess has the charm, cheekiness, and confidence to hold the audience in the palm of their hand. Their physicality is mesmerisingly precise, from mime-like gestures that animate the voiceovers to captivating dance sequences and their ability to lip-sync is unparalleled.
Ruta Irbīte’s set design weaves seamlessly into the plasticity of Wet Mess’s constant journey. Giant phallic cushions offer a playful visual, while draped Bosco-esque curtains add to the theatrical richness.
Baby’s masterful sound design transports us into a dreamlike world, blending interview audio with impeccable timing and using music to exhilarate as well as meditate.
Testo is not just an antidote to prudeness, it’s fearlessly sexual in the most liberating of ways. Moving, reflective, and utterly unique in its execution, it’s a production like no other.
Show title: Testo
Venue: Battersea Arts Centre
Review date: 11/02/2025
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