As the audience enters, they are handed individual poems, setting the tone for the production’s fourth-wall-breaking approach and inviting them to reflect on the deeply poetic nature of the story.
The chorus bursts onto the stage with an infectious comedic energy, immediately adopting a meta stance by addressing and dismantling stereotypes and clichés from the original Cyrano de Bergerac. While the production’s frequent emphasis on its divergence from tradition can feel overly self-conscious at times, it ultimately creates space for Roxanne’s character to shine and provokes the audience to question their complicity in upholding outdated narratives.
Cyrano’s entrance is marked by earnest sincerity and candid direct address, as she falls instantly for the quick-witted Roxanne. The dynamic is further complicated by the arrival of Yan, an action-hero-like figure who emerges through the mist with a swagger reminiscent of Top Gun. Yan’s role as a muscular disguise for Cyrano’s poetic words leads to a delightful interplay, particularly in the balcony scene, which stands out as the highlight of the show.
Gay’s writing anchors the story firmly in the present, with contemporary references and clever gags sprinkled throughout. Meanwhile, Watson’s direction demonstrates meticulous timing, with each movement thoughtfully calibrated. However, the script sometimes meanders and the staging occasionally suffers from moments of awkward transitions.
By the play’s conclusion, this reimagined Cyrano encapsulates both the simplicity and complexity of love and language. Departing from the tragedy of the original, it opts for a more uplifting resolution, reclaiming elements of the classic in a way that feels both meaningful and contemporary.
Show title: Cyrano
Venue: Park Theatre
Review date: 17/12/2024
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