An angel centre stage surrounded by a deconstructed set. Dancers and musicians line the sides observing. Grey suits, balaclavas and two men spitting on the floor before cleaning it with blue roll form a series of surreal and absurd images that set the tone for what’s to come. In one scene, a man refuses to help a woman off the floor because she lacks the "right kind of insurance." Moments later, a distorted tuba signals the transition into the first choreography sequence.
Keegan-Dolan’s choreography and direction transcend conventional boundaries, blending forms and genres into a distinct style and perspective. Each moment touches on a variety of issues, all deeply resonant, even without historical context and which convey an emotional charge. The pacing is masterfully handled, alternating fluid transitions with abrupt, genre-defying shifts that surprise, captivate and enthrall. There is a sense of battle throughout, either manifested between bodies or through the plasticity of props.
Renowned folk musician Sam Amidon leads a versatile ensemble, weaving an eclectic musical journey. The evolving score, shifting seamlessly across genres, shapes the choreography and guides the audience through a dynamic soundscape. As the performance progresses, the music gravitates towards folk melodies, pulling at the heartstrings and culminating in a powerful finale where all elements encountered are brought together.
The performance closes with an excerpt from Blake’s poem:
"Some to Misery are Born, Every morn and every Night,
Some are Born to sweet delight,
Some are Born to Endless Night."
This haunting verse lingers, encapsulating the essence of a production rich in imagery and song. While layered with meaning and ripe for analysis, the work’s greatest triumph is its ability to evoke a strong sense of identity and singular vision. Captivating and unorthodox, this is art at its most inventive.
Show title: Nobodaddy
Venue: Sadler's Wells
Review date: 27/11/2024
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