I adored this show. Truly adored it. Please do go and see it if you have even a fleeting interest in Sherlock Holmes.
Need more? Alright.
Penned by Conan Doyle expert David Stuart Davies and helmed by award-winning director Gareth Armstrong, "Sherlock Holmes: The Last Act" witnesses the now retired detective (portrayed by the remarkable Nigel Miles-Thomas) return to the infamous address of 221B Baker Street following the demise of his companion and colleague, Dr John Watson.
What ensues is a truly exceptional performance as Holmes reflects on his most significant cases, and shares his inner monologue, fears and pivotal memories with the audience. Miles-Thomas is the sole actor on stage, yet he portrays 13 other characters including the now deceased Watson and his most notorious adversary, James Moriarty. His performance is genuinely outstanding. His mannerisms possess the same striking theatricality of Jeremy Brett – arguably the finest Sherlock actor. I would honestly place Miles-Thomas as a close second – apologies to Cumberbatch.
The script is taut, drawing on the same dry wit utilised by Conan Doyle in the original books, while further developing Holmes to make him more human and less robotic, even incorporating dry humour. It also dissects his childhood, providing backstory never revealed by Conan Doyle, which helps to humanise the consulting detective. The use of callbacks is particularly effective here.
I cannot emphasise enough just how much I loved this show. The script, the acting, the stage dressing (simple but effective) and the numerous references and Easter eggs will absolutely captivate fans of the books. However, even those with more modern connections to the detective will appreciate the accomplishment showcased in Assembly Rooms.
Do not miss this show.
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