“A post-menopausal straight, white woman with a Facebook page… kill me now!”

It's with anticipation that we begin to write about the comeback from Australian pop duo President Street. Their press team is teasing us with something big on the horizon, but here's what we know already...

A review that takes a deep dive into Em Beihold's newest song, Groundhog Day, and how it is the perfect Lockdown anthem.

A favourite for children’s TV, Power Rangers has been a familiar presence on our screens since the early 1990s. In this Voice Retrospects, I take a look back at a franchise that proved to be particularly influential for me during my childhood!

An asexual coming of age story, Love Me shines a spotlight on the anxiety of self-discovery with well-told raw emotion, but rushes through too many story beats and supporting characters to fully reach its potential. 

The Kurupt FM crew go large as they travel to Japan in a wholesome and hilarious mockumentary feature film, a spin-off from their Bafta winning BBC TV show.

As utterly baffling as it is captivating. In this absurd, clownish performance Julia Masli combines highly experimental comedy with mesmerising visual lunacy to create… I’m not entirely sure what.

An enjoyably daft and visually captivating take on the absurdity of customer service jobs.

A promising debut production that unfortunately falters in its writing and pacing, Madhouse depicts the chaotic nature of student living with its rag-tag cast of characters.

Hi all! It's been a minute, so I just wanted to drop a little blog post to talk a bit about what I've been up to, how it's felt to release my brand new single 'Used To Miss You', and my feelings of gratitude...

Ensemble Mik Nawooj, with assistance from rapper Sandman, perform through the Fringe’s on-demand service, theSpaceUK. The orchestral display succinctly integrates music and dance within one short video production.

How is the big screen going green?