Interview with Martin Burton founder and director of Zippos Circus

"No other Circus show in Edinburgh will be so firmly based in the skills and techniques of traditional circus"

Interview with Martin Burton founder and director of Zippos Circus

Could you first introduce yourself to the reader?

I am Martin Burton founder and director of Zippos Circus. My circus work started 47 years ago and initially as slapstick clown I worked only in theatres. I moved towards traditional tenting circus in the 1980s having trained as an acrobat with the fabulous Johnny Hutch. Now, after over 30 years producing Britain’s best and favorite circus, Zippos Circus, I have returned to my roots in the theatre with the help of theatre director Julius Green.

How would you describe your show?

Cirque Berserk is the real circus show, whose is cast involves multigenerational Circus artists plus the best of the new circus artists from circus schools around the globe. No other Circus show in Edinburgh will be so firmly based in the skills and techniques of traditional circus which have been skillfully adapted for use in a theatre space and cleverly directed by Julius Green to present a real circus but made for theatre.

Why do you want to perform at Edinburgh Festival Fringe?

Circus Berserk has ambitions to become a great British Theatre Circus show. And the Edinburgh Festival Fringe is an obvious showcase for our work. Circus Berserk was a huge success in Edinburgh Festival Fringe in 2018 and we return in 2019 with a modified and better show looking for International bookings to take Cirque Berserk Beyond the United Kingdom.

What differentiates it from other festivals?

The Edinburgh Festival fringe offers Cirque Berserk the opportunity to showcase our thrilling production to the world in a way that no other festival can.

What first motivated you to enter the industry? Who were your inspirations?

I trained with mime artist Jonathan Kay. I was a truly hopeless mine! However, Jonathan Kay gave me the opportunity to experiment as a talking clown, busking on Brighton beach with Attic Theatre for many summers during the early 1970s. Then veteran acrobat Johnny Hutch took me under his wing and trained me as an acrobatic comic, eventually persuading me to found my own circus in the 1980s.

If you didn’t have your current job, what would you probably be doing?

I trained as a drama teacher, and I suppose if I had not had the opportunities to perform on stages and in circuses throughout the world, by now I will be looking forward to my retirement from the teaching profession.

If you could have any job in the world, what would it be?

Without doubt, I already have the best job in the world. I’m lucky enough to work in countries worldwide, with wonderful men and women from throughout the world, and produce shows which entertain families worldwide. As someone else once said, performing in the circuses living the rest is just waiting.

What is your earliest childhood art memory?

Watching Coco the clown at Billy Smarts Circus in Oxford.

Do you ever feel any pressure to be a social commentator, or constantly update material to respond to events?

All performances need to inform social commentary and be relevant to contemporary audiences. That’s what makes live theatre so important! But in the case of this circus company, with its base in traditional circus, we celebrate our own Intangible Cultural Heritage.

Equally, do you think there has been a shift in public sentiment that has affected your work?

The circus as an industry is constantly evolving. Even the circus changes with advances in technology although the of the circus heart remains the same. Human bodies are stretched to the limits of human endurance to present entertainments which makes audiences grasping disbelief at the human ability. Don’t believe me? Come and see for yourself!

Describe the last year in 5 words or less?

I love my work.

Why would a performer opt to do either a ticketed event or participate in the free fringe? What are the benefits and limitations of both? 

Free Fringe performers often celebrate the immediacy and intimacy of their performance. But theatre producers and directors take the opportunity to control the performance on a set stage. Cirque Berserk loves the NICC, If the audience were any closer they would be sitting on the motorbikes with the riders!

What advice would you give to someone who wants to take a show up to the fringe?

Wait until your show is absolutely ready. Preparation is everything to create a truly memorable show. Entertainment is the name of the game.

When and where can people see your show?

With the Pleasance at the EICC twice daily throughout the Festival.

And where can people find, follow and like you online?

https://www.facebook.com/cirqueberserk/

@CirqueBerserkUK

www.cirqueberserk.co.uk


Cirque Berserk! will be at the EICC as part of the Pleasance programme for the month of August for tickets go to www.edfringe.com 

Header Image Credit: Provided by Impressive PR

Author

Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe..

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