Interview with Alice Fraser

Alice Fraser takes some time to talk to Voice about the show, inspirations, and to give advice to young people.

Interview with Alice Fraser

Could you first introduce yourself to the reader?

Hallo, I'm Alice Fraser. I like drinking tea and making jokes.

How would you describe your show?

I alternate between silly, uncomfortable and quantum physics.

Why do you want to perform at Edinburgh Festival Fringe?

Edinburgh fringe is the Mt Everest of festivals. It's the biggest, baddest, highest altitude cutthroat mud fight you can throw yourself into and it's a blast.

What differentiates it from other festivals?

It's just… more of everything. More shows, later nights, longer days, harder work, better laughs. You get better as a comedian just from doing it.

Do you think the Fringe has changed over the years? If so, how? Are these changes positive or negative?

I'm relatively new to the fringe, so I don't think I have a very informed opinion on this. The only constant is change though (thanks Buddhist upbringing), so I assume it's heaps different and probably not as good as the old days? Or better? I don't know.

What first motivated you to enter the industry? Who were your inspirations?

I think I just fell into it. As far as playing with interesting ideas it was either comedy or becoming a professor, and with academia, the further up the ladder you get, the fewer people can even understand what you're saying. Comedy is the opposite.

If you didn't have your current job, what would you probably be doing?

See above. I'd be a mad lecturer at some university somewhere, probably trying to make my students laugh (the least cool thing you can do as a professor). Or I'd still be slogging away at a big law firm.

If you could have any job in the world, what would it be?

Probably this one but more so. It would be nice to not have to hustle. I hate hustling. I'm very bad at doing finger guns at industry things.

What is your earliest childhood art memory?

Dad took me and my twin to a retro screening of a Marx Bros movie when we were about three. I remember laughing hysterically and falling off a chair.

you ever feel any pressure to be a social commentator, or constantly update material to respond to events?

I like to turn material over and keep things fresh, but I've done work for news programs before and that whole thing is as much of a confection as any art. I'm less interested in the news than WHY the news is doing what it's doing.

Equally, do you think there has been a shift in public sentiment that has affected your work?

People are more worried now that you'll make them laugh at something they'd feel bad about later, so it's a little harder to talk about uncomfortable things. Unfortunately for me, I love treading that fine line - I'm sure it'll get me in trouble one day. I think I'm on the side of truth and justice but intent doesn't seem to matter so much nowadays. People are looking for points to score, particularly against their allies. You get double points if you can bring down someone for failing at perfection. Some right-wing radio jock has to go a lot further to be pinged for crossing the line. If you can accuse Sir Ian McKellen of homophobia, you win.

Describe the last year in 5 words or less?

Too short. Some nice dumplings.

If you could work with anybody, from any point in history, who would you pick and why?

Monty Python. Or I hear Joan of Arc was a laugh a minute.

Why would a performer opt to do either a ticketed event or participate in the free fringe? What are the benefits and limitations of both?

People are more likely to take a risk on something that's billed as free, and Edinburgh is always a gamble on whether anyone will be interested in your show. The ticketed venues tend to have slightly less mold, though, and they have teams of people who are nice to you.

What advice would you give to someone who wants to take a show up to the fringe?

Do it.

When and where can people see your show?

10pm at the Gilded Balloon for the whole month. Come!

And where can people find, follow and like you online?

I'm at @aliterative on twitter and Instagram. is the website and my podcast is called Tea With Alice.

Alice Fraser: Empire is performing at The Gilded Balloon at 22:00 on 2nd – 28th (not 14th). For tickets and more information visit the Ed Fringe website.


Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe..

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