Could you first introduce yourself to the reader?
Hello, I’m Hattie Chapman! I’m an actor originally from Sussex, I recently graduated from the Guildford School of Acting. I play Arty in a new family musical Arty’s Ani-Magination. It’s the story of a young school girl who isn’t having the best time (she’s got a very annoying older sister) and so she wishes that she could be an animal just like her pet rat, who seems to be having the best time. Then she wakes up one morning to find out she’s turned into a rat, and the worst thing is her wish is contagious, so soon all her family and friends (and teachers) are all turning into their favourite animals too.
How would you describe your show?
It’s bursting with fun, colour, joy, friendships and most importantly – animals! There’s a cast of five actors and we all transform into different animals at one point, which the children are going to love but also it has this heartfelt story about two sisters who are re-finding their closeness over the show which is hopefully really moving and there’s lots of humour in there that will get a laugh out of even the most tired parent. Eve, who wrote it, has been creating children’s theatre for years and she says she’s tried to get all the bits that children love the most into one show, so even though it’s a new show it’s actually tried and tested.
Why do you want to perform at Edinburgh Festival Fringe?
It’s one of the greatest celebrations of art and culture in the world and it’ll be my first time performing there. I’ve heard about the buzz of the Fringe for many years, so the idea of performing there is incredibly exciting for me.
What differentiates it from other festivals?
Well for a start it’s the world’s largest art festival! The incredible variety of people and performances is unmatched. I love the reputation it has for discovering new talent and giving them a platform.
What first motivated you to enter the industry? Who were your inspirations?
My mum sent me to a local drama club to use up some of my never-ending energy. I found inspiration there from drama teachers and older students and decided very early on that this was the path I wanted to follow. I found an educational space where I could be me, without having to sit still in a classroom!
How has your background, upbringing and education had an impact on your artistic career?
I don’t come from a family background of people who work in the arts. I was lucky that my family always allowed me to be whoever I wanted to be. They supported me throughout my life to follow my dream of becoming an actor, and I feel very grateful for that. At school I was a bit of a chatty and ‘naughty’ kid, due to my ADD. However, when sitting in a drama class I was able to find focus, feel encouraged and proud of my work.
What is your earliest childhood art memory?
Forcing my younger brother to perform dances and put on plays with me. And then forcing my parents to pay 50p for the privilege of watching!
If you didn’t have your current job, what would you probably be doing
As a child I wanted to be an ‘actor/crocodile hunter’ like Steve Irwin, I still think that’d be pretty cool. But I’d probably be working with animals or children in some capacity.
Did Covid-19 change the way you create work? Do you approach shows with a different mentality now?
I definitely think it’s highlighted the importance of taking care of our health, bodies and minds. Giving it your all, but also remembering to rest when we need to. I appreciate being in a space with creatives a whole lot more since the lockdowns!
Describe the last year in 5 words or less?
Change, connection, perseverance, chaos, love.
Do you subscribe to the idea that art should be exempt from ‘cancel culture’?
I think art is a perfect place to explore controversial topics, as long as it is done tastefully with a balanced view. I think we are in a paradigm shift at the moment where we are able to hold those in power accountable for problematic views and actions and I don’t think artists should be exempt from that. However, the question of whether a cancelled artist can be separated from their art is a multi-faceted question!
If you could work with anybody, from any point in history, who would you pick and why?
Freddy Mercury. His performances are a masterclass in audience interaction. He was bursting with charisma and energy and a true love for his art.
What advice would you give to someone who wants to take a show up to the fringe?
Bring something that you/your company are really proud of. Be prepared to work hard and relish the experience you’re sharing with other creatives. And have fun!
When and where can people see your show?
You can watch our show at the Assembly Roxy- Upstairs from the 4-29th August, it starts at 10.30am and would be a brilliant start to the day. We aren’t performing on the 23rd but would love to see you all on any other day!
And where can people find, follow and like you online?
The company (Long Lane Theatre) are on twitter @longlaneTheatre and you can read more about us on their website https://www.longlanetc.com/fringe2022
You can find me on:
Twitter - @hattiechapman
Instagram - @hattiechappers
Spotlight - https://www.spotlight.com/7655-7861-8638
See Arty: Arti’s Animagination at the Assembly during the Edinburgh Festival Fringe from 4-29 August. For more information and tickets visit www.edfringe.com or www.assemblyfestival.com
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