Voicebox: Edinburgh Fringe

“Who’s here to see some dicks?!”

Existential millennial dread, hanging from a pole, for your entertainment

Kirst has a secret. Something she's kept from her friends for over 10 years, and it's causing her to live a double life…

A perverse anthology of sex tales

"This is probably the last interview I do before my full descent into madness. The next you hear of me, I could be living in the woods, feeding off Salmon and trying to get mobile data so I can stream GB News."

"People are being priced out, which is disgusting, and it’s increasingly exclusively a platform for posho’s launching their careers. But at its heart it still aspires to give little greebo no-hopers like me a chance. That’s special."

Natasha's new show, 'Clown Sex', will be at Edinburgh Fringe Festival this August. 

"When I’m trying to write or paint or otherwise make physical things, I can get a block because of their permanence. But when you’re performing live, when it’s over it’s over and all we have left are memories which are malleable and imperfect."

"A good week on the circuit, you’ll gig 5 times for 20 minutes. That’s just over an hour and a half total on stage and probably 15-30 hours in the car. At the fringe, you do an hour every single day, minimum."

"We accidentally performed in a strip club in Canada... We thought it was going to be a variety show. I think we got paid $8 profit share and were slow clapped onstage by a father and son duo who were definitely not our target market."

"I went to what’s known in the US as a charter school, which is code for very weird and strange theatre kid school where no one does any sports and instead all must be in band or choir and learn Latin, the most useful language of all."

"Our show is a fairground ride in the rain that’s going a little too fast before a handbrake turn takes you to Banksy’s Dismaland. But you’re finding it funny and you’re wanting to dance."