A mother and a son deal with all of the above, in a play which didn't quite hit the right notes.

A visual and musical interview with Liz Turner, famous radio broadcaster of the 1950s.

Idiosyncrasies become normality for the audience, as the actors' performances flourish amongst the ingenious direction.

Lively and enjoyable, with a dark undercurrent that drives the play to its gripping denouement.

Are you reporting from Brighton Fringe this month? Whether you're working as a reporter for Voice, writing for your own blog or reviewing for another magazine, here's a handy guide to get you started.

Vile is recurring theme at the fringe, but never has vile been so slick, so everyday, and so horribly depressing.

After a good start, the show sadly slowed down and, to be honest, it was rather disappointing by the end.

Bringing the power of authentic folk music to life, Ellie Ford and her backing band delivered yet another memorable performance at Brighton Fringe.

A beautiful installation in a garden, with poetry readings by Brian Mander to help set the tone.

A pair of painfully hungover comedians who tickled more ribs than the majority of (apparently) sober performers at the fringe. Perhaps they're onto something…

A potent show which tackles an important, yet often taboo subject head on. Groomed is an incredibly rare find.

A fun and interesting twist on fairytales, performed by Sole Rebel Tap, two very talented tap dancers.