Meet David Starr (Joseph Peacock), a schoolboy obsessed with Debbie Harry, Sting, and Kate Bush. He has just been cast in this year’s school production of Oliver! as the dazzling Nancy, much to his dismay. As he reluctantly steps into Nancy’s shoes, David begins to confront his identity, grappling with his sexuality and facing the prejudices of his peers. What starts as an uncomfortable role soon becomes a catalyst for David to explore who he truly is, pushing him to navigate the complexities of homophobia, friendships, and even a budding romance with Maxie (Joseph Vella) – the school's football star. Despite his initial hesitations, the journey to "becoming Nancy" may be exactly what David needs to embrace his true self.
The musical inevitably draws comparisons to Everybody’s Talking About Jamie, as both productions focus on teenage boys navigating their identities through unconventional roles. While Jamie explores modern challenges faced by a boy aspiring to become a drag queen, Becoming Nancy is set in 1979, highlighting the harsher societal pressures of homophobia and racism. Both share exuberant musical numbers and themes of self-acceptance, but the cultural landscape of Becoming Nancy sets it apart and proves its viability. While there’s no such thing as too much representation, Becoming Nancy seems a few years behind in delivering ground-breaking content, with similar topics already well-represented in mainstream media, such as the Netflix series Heartstopper and Young Royals.
One of the standout elements of this production is its score. Featuring music by George Stiles and Anthony Drewe, supplemented by contributions from Elliot Davis and Terry Ronald, the musical numbers range from uplifting, head-banging anthems to reflective ballads. The impressive mix of pop, disco, rock, and classic musical theatre cleverly capitalises on beloved 1970s songs. “About Six Inches From Your Heart” is a powerful number, performed with raw emotion by the formidable Rebecca Trehearn as Kath Starr, drawing comparisons to the emotional impact of Jamie’s “He’s My Boy”. Another highlight is “Ready To be Touched,” performed by Paige Peddie, who delivers a stellar performance. Overall, though, the songs are not entirely memorable once you leave the theatre.
Jerry Mitchell’s direction and choreography injects the show with infectious energy, ensuring Becoming Nancy remains visually exciting. Numbers like “Just For Today” and the finale, “Have You Ever Had a Love Like This?”, showcase dazzling choreography and vibrant staging. The show excels with its bold 70s-inspired set by David Rockwell and TJ Greenway, vibrant costumes by Jean Chan, and evocative lighting by Philip Rosenberg. Together, these design elements create an immersive world that reflects the era while maintaining a sense of fun and playfulness.
The cast of Becoming Nancy injects immense personality and comedy into their roles. Peacock shines as David, capturing the vulnerability and courage of a teenager exploring his identity. His chemistry with Vella is sweet, though their relationship could benefit from more focus. Peddie’s portrayal of David’s best friend, Frances, is another highlight, showcasing powerful vocals and depth as she grapples with racism. While David’s story takes centre stage, Frances’ subplot feels equally important but could use further development. However, the real scene-stealer is Genevieve Nicole, whose portrayal of Kate Bush is high camp and laugh-out-loud funny. She is well worth the ticket price alone.
Ultimately, Becoming Nancy is a feel-good, hopeful musical that leaves audiences cheering for David and his journey. The production is filled with promise, and with a few tweaks, it could be perfect.
Becoming Nancy is at Birmingham Rep until Saturday 2nd November.
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