Dizney in Drag: Once Upon a Parody

Although not for me, the merits and value of this show cannot be overstated.

Dizney in Drag: Once Upon a Parody

This really wasn't a show for me. I am not a big fan of musicals, I've never had much interest in drag, and I think my Disney era is well and truly behind me. But I knew that going in.

However, I can tell you that the audience this show is catering for absolutely loved it. They were clapping, cheering, and up out of their seats. The audience members chosen to participate did so with aplomb. One person even jumped over the railings to get to the stage quicker.

And it’s clear to understand why. The energy the performers exude is both exceptional and infectious. The whole cast had great levity, and it was clear they were having an absolute blast on stage. The interaction with each other and the audience had everyone in stitches, and created a really inclusive atmosphere. That’s unsurprising though, given the theme of the show is love, acceptance, and being true to yourself. The menstrual painting was perhaps a step too far for me, and watching the audience I think that’s possibly where the show’s energy dipped. A couple of times the jokes and more risqué bits felt a bit forced, and the balance between the more crass aspects and the underlying theme felt askew.

That said, the songs were (mostly) funny, and the script, although predictable, was well-written and gave enough space for the performers to flex and ad-lib, responding to the vibe of the audience. Owen Merriman as The Hairy Godmother was a particular highlight for me, with their endless supply of beer and nicknames for our show’s main protagonist, Dr Jae West.

As I mentioned, this wasn’t really my vibe, and I probably wouldn’t see it again. But that doesn’t mean I think the show is bad – far from it. I think what The Hairy Godmothers have managed to put together is incredibly well executed, and very timely given the horrendously toxic public discourse right now.

If you like musicals, classic Disney films or being part of a raucous audience there to let loose and have a great time, then I genuinely believe you’re going to love this show. I also believe this is a really important and valuable show for people who are still learning about their sexual or gender identity, or who need a reminder that they are valid, and deserve to exist.

Header Image Credit: Deric Martin

Author

Tom Inniss

Tom Inniss Voice Team

Tom is the Editor of Voice. He is a politics graduate and holds a masters in journalism, with particular interest in youth political engagement and technology. He is also a mentor to our Voice Contributors, and champions our festivals programme, including the reporter team at the Edinburgh Festival Fringe.

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