The #MeToo Legacy: Has the literary world truly changed?

The #MeToo movement reshaped conversations about power, consent, and justice. But has it significantly changed the literary world?

The #MeToo Legacy: Has the literary world truly changed?

Since its rise to prominence in 2017, the #MeToo movement has reshaped conversations about power, consent, and accountability across various industries. From Hollywood to corporate boardrooms, survivors’ voices have forced a reckoning with systemic issues of sexual harassment and abuse. But what about the literary world?

Books have long been a space for difficult conversations, offering both a mirror to society and a means of shaping public discourse. In the wake of #MeToo, many novels and memoirs have sought to grapple with sexual violence, trauma, and the complexities of justice. But has this translated into real cultural change? Has the publishing industry shifted in how it handles stories of abuse and survival?

This article explores how the literary world has responded to #MeToo, focusing on three significant books – Know My Name by Chanel Miller, She Said by Jodi Kantor and Megan Twohey, and My Dark Vanessa by Kate Elizabeth Russell. Additionally, we examine whether the publishing industry has become more receptive to these narratives and whether real change is underway.

The books that defined a movement

Cover art for Chanel Miller's book Know My Name(Credit: Penguin Books)

Know My Name – Chanel Miller

Chanel Miller’s memoir, Know My Name, is a landmark work in the #MeToo literary canon. Miller, the previously anonymous survivor in the Brock Turner case, reclaims her voice in this powerful account. Her book not only details her own experience of sexual assault and the injustices of the legal system but also speaks to the resilience of survivors everywhere. The impact of Know My Name was immediate and profound. It sparked discussions about victim-blaming, the inadequacies of the legal system, and the courage required to come forward. By putting a human face to a case that had been reduced to headlines, Miller’s memoir played a crucial role in deepening public empathy and awareness.

Cover art for She Said by Jodi Kantor and Megan Twohey(Credit: Bloomsbury)She Said – Jodi Kantor and Megan Twohey

She Said by Jodi Kantor and Megan Twohey offers a journalistic perspective on the #MeToo movement, chronicling the groundbreaking investigation that exposed Harvey Weinstein’s abuses. The book provides an inside look at the meticulous work required to hold powerful figures accountable, showing how survivors’ voices, combined with rigorous reporting, can challenge entrenched power structures. She Said was influential enough that it birthed a film adaptation in 2022 starring Zoe Kazan as Kantor and Carey Mulligan as Twohey. 

Cover art for My Dark Vanessa by Kate Elizabeth Russell(Credit: HarperCollins)

My Dark Vanessa – Kate Elizabeth Russell

Unlike Know My Name and She Said, which centre on real-life events, My Dark Vanessa explores #MeToo themes through fiction. The novel delves into the complexities of consent, manipulation, and memory as it follows a young woman reflecting on her past relationship with a much older teacher. What sets My Dark Vanessa apart is its refusal to offer a simple, clear-cut narrative. Instead, it presents the psychological impact of grooming and abuse with unsettling nuance, forcing readers to confront uncomfortable questions about victimhood and agency.

The growing canon of #MeToo literature

While these three books stand out, they are part of a larger wave of literature tackling #MeToo themes. Other notable titles include:

  • Catch and Kill by Ronan Farrow – Investigative journalism exposing media and legal complicity in silencing survivors.

  • Consent by Vanessa Springora – A memoir detailing an abusive relationship between a teenage girl and a much older, celebrated author in France.

  • All the Rage by Courtney Summers – This novel tackles the aftermath of sexual assault and the ways in which a victim is treated by society. It explores the idea of survival in a culture that often silences victims and trivialises their experiences.

While memoirs like Know My Name offer personal testimony, investigative books such as She Said and Catch and Kill expose systemic enablers of abuse. Fictional works like My Dark Vanessa and All the Rage explore the psychological and cultural ramifications of sexual violence in different ways.

Has the publishing industry changed?

Vivien Brown of the Society of Women Writers and JournalistsVivien Brown of the Society of Women Writers and JournalistsThe question remains: has the publishing industry itself undergone meaningful transformation? Are publishers more willing to platform stories about sexual violence, or are these books still considered a commercial risk?

Vivien Brown of the Society of Women Writers and Journalists (SWWJ) provides a candid assessment of the current landscape. She recognises the strides the industry has made in terms of diversity, noting that publishers are actively encouraging submissions from under-represented voices, including authors from working-class backgrounds and the LGBTQ+ community. “There has been much more awareness of diversity in recent years,” she observes.

However, Brown also underscores that "there will always be stories that include violence (towards women and otherwise), power struggles between the sexes, and sexual aggression", especially in crime and thriller genres. These stories reflect real life, but as Brown points out, they should not only be about victimhood. She advocates for a shift where survivors, rather than victims, are the focus. “Survivors make for more engaging and uplifting fiction than victims can ever do,” she adds, illustrating her belief that these stories can empower.

When it comes to romance novels, Brown notes that the genre has made its own transformation. Romance novels, which traditionally featured power imbalances or toxic relationships, now require "strong female characters" and an emphasis on consent. “There is now no place in romantic fiction for force, coercion, or the kind of male dominance that takes away choice and respect from the female characters,” she emphasises, citing guidance from the Romantic Novelists' Association.

Despite these advancements, Brown acknowledges that challenges persist. She believes that the industry still grapples with how to balance sensitive content with marketability, and that some books featuring sexual violence are seen as high-risk. Yet, the increasing demand for narratives that offer hope, justice, and healing suggests a positive trajectory for literature in this area.

Literature as a force for change.

While literature may not be able to dismantle power structures overnight, it plays a vital role in shaping public consciousness. The rise of #MeToo-themed books has provided survivors with visibility, challenged outdated narratives about assault and consent, and created space for difficult but necessary conversations.

However, real change requires more than publishing survivors’ stories. It demands systemic shifts in how the industry supports women writers, how books about sexual violence are marketed, and how survivors’ voices are amplified. As more authors continue to explore these themes, literature will remain a crucial force in the fight against silence and impunity.

Click to read more from The #MeToo Legacy

Header Image Credit: Pexels/Pixabay

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Kaitlin Jefferys

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