From Parliament to Poetry: Brandes Makes His Mark With ‘The Distance Between Dreams’

From Parliament to Poetry: Brandes Makes His Mark With ‘The Distance Between Dreams’

Peter Bradley has worn many hats—politician, author, historian. Now, as Brandes, he’s stepped into the world of music, and the result is a debut album that is as personal as it is powerful.

The Distance Between Dreams, is a mature, poignant collection of songs shaped by experience. With influences ranging from Bob Dylan to John Lennon, Brandes brings a deeply literary touch to his songwriting, layering sparse arrangements with complex emotion.

The first single, “Please Don’t Call”, is a beautiful ache of a song—elegant, painful, and totally unforgettable. “Like A Dagger” follows suit, reflecting on the end of love with raw vulnerability. But it’s “From The Higher Ground” where Bradley’s past as a public figure comes through, with biting commentary about the world we live in.

Then there’s “Song for Mordecai”—a standout track that brings history to life through stunning instrumentation and a story drawn from George Eliot’s Daniel Deronda. Here, Brandes achieves something remarkable: a song that is both specific and universal, deeply Jewish and profoundly human.

This isn’t just an album—it’s a reflection on memory, identity, and the emotional geography we all carry with us. Whether you know Peter Bradley from politics or not, you’ll remember him as Brandes.

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