The Snowman at the Peacock Theatre. Wednesday 7th of December 2016.

The National Gallery has one of the greatest collections of artwork in the world. You could quite easily spend a whole day in there and still only be halfway through. It's a great way to learn about the different styles and how they've changed over the centuries.

A fun print workshop to create your own tote bag!

OmniArts Performing School presents Storybox at Christmas: an original script written by Nicola Dereham.

Offers for anyone currently looking for something for the participation as an audience member part of their Arts Award is welcomed at our show. Please get in touch before the show to let us know, and we will be happy to allow you backstage after the show for photos and discussions to help with your Arts Award.

Tickets are £7 for adults and £6 for concessions.

Emily Winslow studied drama at Mellon University, Pennsylvania. Now she's the author of the memoirs Jane Doe January and a series of physiological novels. She lives in Cambridgeshire with her husband and two sons who are home-educated.

From Random Acts Midlands, Sarah Worcester's astonishing animation, Oblivion, strikes a chord with the visuals alone.

From Random Acts Midlands, Ben Norris's Send Her Victorious was one of the most daring films made as part of the 2017 cohort for, as we've learnt, some of the most essential reasons for today.

From Random Acts Midlands, we caught up with Co-Producer, Emma Powell about hers and Dale Cullis's visual iteration of the 'glass ceiling' that is faced by women in the workplace.

Over the Christmas holidays, I got the chance to experience the wonderful work of the Fulham Symphony Orchestra in their performance of the Nutcracker. Here's a few reasons why you should go and check them out!

We caught up with Becky Bruzas, the Festival Director of the Oska Bright Film Festival 2017 in Brighton. Oska Bright is run by Carousel Arts, a leading disability-led arts organisation.

This is a summary of an arts issue about the special effects industry behind the making of films and movies, and whether or not it is being taken over by computer programmes. It is about what i think about the situation, and whether or not these computer programmes could take over careers and jobs in the future.

We have developed quite the dirty habit that few seem willing to address